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Makale Özeti:
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The article reviews Christopher Nolan's trilogy «The Dark Knight Trilogy» as an object of ideological and psychoanalytic discourse. It explores the main features of Nolan’s direction manner, the appropriateness of analysis of his trilogy in a philosophical vein, the definitions of notions «ideology» and «faith». The research studies the conflicts and compromises between the main notions in intentions and symbolic actions of major and minor characters of the film, namely, Batman, Joker, Bane and Harvey Dent. The article also proves the urgency of consideration of a superhero as a representative model of a religious leader.
Postmodern stage of civilization, which defines deconstruction of existing schools and trends of art, morality and ethics sets a new angle of philosophical research culture. One of the main problems are forms of modern art that are not yet "revealed" by philosophers for various reasons, ranging from the recognition of the existing art space as "false" and ending with characteristic particular to the post-Soviet conservatism and retrogradism. “Though philosophy after its death poured over the entire space of culture, why not find her it in a movie?" - That's a hypothetical Deleuze’s question that motivates philosophy to study cinema.
In addition to the fundamental spiritual work of Gilles Deleuze "Cinema", "Semiotics of Cinema" Yuri Lotman, number of journalistic and philosophical projects by Slavoj Zizek, books by Western authors on theory and history of cinema (Weizmann, Bazin, Benjamin), a collection of philosophical essays (El Topos, Philosophy of Film , Film-Theory, Film-Philosophy), the movie raises a matter of debate and research interesting for both professionals and amateurs.
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Alternatif Dilde Özet:
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В статье рассмотрено кинотрилогию Кристофера Нолана «The Dark Knight Trilogy» как объект идеологического и психоаналитического дискурса. Выявлены основные особенности режиссерской манеры Нолана, мотивировано целесообразность рассмотрения его трилогии в философском ключе, обозначено понятие «идеология» и «вера», конфликты и компромиссы между ними в фильме в интенциях и символических поступках главных и второстепенных персонажей – Бэтмена, Джокера, Бейна, Харви Дента, доказано актуальность рассмотрения супергероя как репрезентативной модели религиозного лидера.
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