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Derginin Adı: Research Journal of English Language and Literature (RJELAL)
Cilt: 2015/3
Sayı: 1
Makale Başlık: REVOLUTIONARY QUALITIES IN NORA OF HENRIK IBSEN’S "A DOLL’S HOUSE"
Makale Alternatif Dilde Başlık: Alternatif dilde başlık bulunmamaktadır. There is no article title in another language.)
Makale Eklenme Tarihi: 22.05.2015
Okunma Sayısı: 2
Makale Özeti: Henrik Ibsen was born on march 20, 1828, in Skein Norway. In 1862, he was exiled to Italy, where he wrote tragedy Brand. In 1868, Ibsen moved to Germany, where he wrote one of his most famous work: the play A Doll’s House. It is regarded as the first feministic play. It focuses the women place in society and also it shows the revolution in the mind of a woman. Ibsen’s play, Doll’s house Nora, the main character in the play, is first shown as a woman who reveals in her status as the wife of a city bank manager Torvald helmer. The play builds to a crisis point when Helmer momentarily abuses and rejects his wife after learning that she once forged her signature in order to borrow to help save his life. From this central turning point, Nora sees her status in a totally different light, as that of a doll wife. He saw the woman’s world as one of the human values, feelings, and personal relationships. While men dealt in the abstract realms of laws, legal rights, and duties. In a ‘Doll’s House’ Nora can’t really see how it is wrong to forge a name in order to save a life. but Torvald would rather die than break the law or borrow money. This difference in thinking what traps Nora. The world of Nora and Helmer is exploded during their discussion of their motives and behaviour. Her final closing of the door at the end of the play signifies that she is going out in to the world that is full of possibilities.
Alternatif Dilde Özet: Alternatif dilde abstract bulunmamaktadır. (There is no abstract in another language.)

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