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Makale Özeti:
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The article deals with the issues of artwork impact on ballet artists’ and ballet masters’
creativity – creation of choreographic works based on artworks. Facts (examples) demonstrating
such borrowing are involved, but more significantly, the range of potential opportunities, which
may enrich modern ballet theater, is outlined. The matter of figurative material takes on
particular importance, i.e. the issue to what extent a choreographic work reflects the essence of
an artwork accurately, deeply, and adequately. The article considers the connection and mutual
benefit of the processes of creative interpenetration of graphics, art, sculpture, arts and crafts,
and ballet theater. Different techniques of figurative sources are studied: illustration, statement,
demonstration, comparison, event localization, generalization, stylistic device, and their
visualization by means of choreographic dynamics. It’s concluded the synthetic nature of ballet
theater gives rise to new polygenre structures that can intensify both expressive and semantic
content of choreographic image, create original stage solutions.
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