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Derginin Adı: International Journal of Social Sciences and Education Research
Cilt: 2015/1
Sayı: 4
Makale Başlık: Romantic items on Sajjad Haider Yıldırım’s stories
Makale Alternatif Dilde Başlık: Alternatif dilde başlık bulunmamaktadır. There is no article title in another language.)
Makale Eklenme Tarihi: 10.01.2019
Okunma Sayısı: 1
Makale Özeti: Romanticism had a considerable impact on Urdu literature between 1901 and 1935. The Aligarh Movement, which shares some common characteristics with the established Western Classicism, was replaced by romanticism. This resulted in significant transformation in the literary understanding of the period. Sajjad Haıder Yıldırım who is one of the major authors of Urdu literature was born in Bacnur in 1880. After he had graduated from Aligarh College, he worked as a civil servant in different governmental institutions. While he was the assistant of Hacı Navab İsmail Han Dataveli, he became familiar with Turkish literature and translated many plays, stories and novels from Turkish into Urdu. Romantic implications were first to be recognized in Sajjad Haıder Yıldırım’s short stories and articles. His work formed the very basis of the Romantic Movement in Urdu prose. Yıldırım skillfully employed the romantic components such as woman, love, sensuality, imagination, nature, and sexuality in his stories. Thus, he spoke the unspeakable up to that time and what had been disregarded. This study aims to explore the ways how Sajjad Haider Yıldırım initiated the emergence of romanticism in Urdu literature, how he challenged the restrictive, oppressive and established literary conventions and how he transformed all these into an individual, emotional and fascinating style with his aesthetic, exotic and liberating narration. He contributed greatly to the development of Urdu romantic tradition in Urdu literature with his distinctive works and as well as his translations from different languages and has a significant influence on the literary and social life of the conservative Muslim India. This powerful impact transformed the traditional literary approach and the short stories tended to be constructed within the stereotyped themes into a modern and liberating framework. To this end, this paper will focus on the romantic components of Urdu short story tradition with various quotations from Yıldırım’s work.
Alternatif Dilde Özet: Alternatif dilde abstract bulunmamaktadır. (There is no abstract in another language.)

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